I’ve written before about the increasingly thin barriers between animation and live-action filmmaking, barriers that are becoming more transparent with time (check out Guillermo del Toro’s Simpsons opening sequence which aired last week if you need further proof). Whereas once Looney Tunes veteran Frank Tashlin became a notable Hollywood asterisk for having moved into live […]
I’ve written before about the increasingly thin barriers between animation and live-action filmmaking, barriers that are becoming more transparent with time (check out Guillermo del Toro’s Simpsons opening sequence which aired last week if you need further proof). Whereas once Looney Tunes veteran Frank Tashlin became a notable Hollywood asterisk for having moved into live […]